![]() ![]() They are active which means you can cut OR boost frequencies. The major exception is the graphic EQ on some Mesa Boogie amps. ![]() In fact, most EQ knobs on the best tube guitar amps are passive. The tone controls on traditional Blackface Fender amps are passive. Leo Fender actually designed the Fender circuit to be flat with all EQ knobs on 10! Most guitarists assume these amps work on the idea that “5” is a middle choice, and turning them up beyond this adds more of each frequency. Most classic Fender amps have 2 or 3 EQ knobs: Bass, Midrange, and Treble that go from 0 to 10. ![]() If you’re dealing with house gear at a studio or at a venue, it’s likely you’ll get a Fender unless you specify otherwise.Įven though many American guitarists are accustomed to running into these, most still don’t understand the way the EQ operates on Fender amps. In America, Fender Amps tend to be among the most common. I have seen many guitarist scratch their heads when playing a Vox or Marshall for the first time. They may all have knobs named “treble” and “bass”, but that doesn’t mean they influence the same frequencies, or in quite the same way. This is especially true in instances where there isn’t a lot of time to experiment.įender, Vox, and Marshall amps all act differently when it comes to EQ. When you do have to consciously make changes to the EQ on an amp, it’s really helpful to understand the way in which each amp operates. (Meaning, wherever the knobs got bumped without me noticing.) This is a result of either keeping the setting from the night before, or from playing knob roulette. Sure, there are some sessions when I fire up my amp and I don’t have to touch a thing. Your bass and treble response can be completely different depending on the room you are playing in. Before we get started, its important to recognize that each room you record or perform in will sound different. ![]()
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